Werckmeister Harmonies (2000) Hongrie
Werckmeister Harmonies Image Cover
Additional Images
Réalisateur:Béla Tarr
Studio:Facets
Scénariste:Péter Dobai, Gyuri Dósa Kiss
Classement:Général
Date de l'ajout:2007-12-23
ASIN:B000E6EGT6
UPC:0736899091026
Récompenses:5 wins & 1 nomination
Genre:Drame
Date de parution:2006-02-28
IMDb:0249241
Durée:145
Format:Widescreen
Format écran:1.66:1
Son:Stereo
Langues:Hongrois
Sous-titres:English
Caractéristiques:Black and White
Béla Tarr  ...  (Réalisateur)
Péter Dobai, Gyuri Dósa Kiss  ...  (Scénariste)
 
Geza Balkay  ...  
Janos Derzsi  ...  
Peter Fitz  ...  György Eszter
Djocko Rossitch  ...  
Hanna Schygulla  ...  Tünde Eszter
Lars Rudolph  ...  János Valuska
János Derzsi  ...  Man In The Broad-Cloth Coat
Djoko Rosic  ...  Man In Western Boots (as Djoko Rossich)
Tamás Wichmann  ...  Man In The Sailor-Cap
Ferenc Kállai  ...  Director
Mihály Kormos  ...  Factotum
Putyi Horváth  ...  Porter (as dr. Horváth Putyi)
Enikö Börcsök  ...  
Éva Almássy Albert  ...  Aunt Piri (as Almási Albert Éva)
Irén Szajki  ...  Mrs. Harrer
Alfréd Járai  ...  Lajos Harrer
György Barkó  ...  Mr. Nadabán
Lajos Dobák  ...  Mr. Volent
Résumé: This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather - without snow. It is twenty degrees below zero. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see - as the outcome of their wait - the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighbouring settlings, from different holes of the Plain, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town. The human connections are overturning, the ambitious personages of the story feel they can take advantage of this situation, while the people who are condemned anyway to passivity fall into an even deeper uncertainty. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness and is lying low behind the whale. Even his mere appearance is enough to break loose the destroying emotions. The apocalypse that sweeps away everything spares nothing. I does not spare the outsiders wrapped up in scientificness, does not spare the teenage enthusiasts, the people who have philistine fears for ease, the family - nothing that the European culture preserved as from of attitude in the last centuries.